OFFENBURG, Germany – Edeka Südwest supermarkets teamed up with the Badensound event company on the socially distanced Shopping Cart Festival, which ran from Aug. 31-Sept. 5. Badensound deployed an Electro-Voice X2 line-array system powered by Dynacord amplifiers.

More details from Electro-Voice (www.electrovoice.com) and Dynacord (www.dynacord.com):

Badensound event company has worked out a new concert concept that uses existing infrastructure to host performances complying with the local COVID regulations. This concept led to a partnership with Edeka Südwest supermarkets to create the “shopping cart festival.” Taking place from August 31 until September 5 in Offenburg, Germany, the festival featured famous German artists performing in front of 500 people, the maximum number of people currently allowed for large gatherings, in the parking lot of an Edeka supermarket. Shopping carts were used as social distancing tools to adhere to the COVID regulations. On the technical side, Badensound used the festival to give Dynacord’s new MXE5 matrix mix engine its German debut.

“Now is exactly the right time to organize an attractive festival in the region, to offer artists a platform and to support the Corona-impacted event industry,” says Rainer Huber of Edeka Südwest, describing the idea behind the new festival.

Badensound deployed an Electro-Voice X2 line-array system to ensure powerful main PA sound for the festival, featuring two hangs of 12 X2-212 elements per side, with low-frequency support from 16 X12-128 subwoofers. 12 Electro-Voice MFX multi-functional loudspeakers were used as stage fills and stage monitors, complemented by Dynacord V17 subs and Cobra cabinets as drum fills. Near and out fills consisted of an additional 24 Electro-Voice XLE compact line-array elements.

State-of-the-art Dynacord amplifiers powered the entire sound system. A dozen TGX20 four-channel and three IPX 10:8 eight-channel amps delivered a stunning total of 270 kW. The MXE5 matrix mix engine served as the system head. All electronics have OMNEO IP architecture on board, allowing the entire sound system to be run flawlessly on Dante audio without the need of retrofitting. System setup, tuning and monitoring was handled by SONICUE sound system software.

The line-up of well-known German artists included among others Michael Schulte, Christina Stürmer, Kelvin Jones & Jeremias, Glasperlenspiel and Laith Al-Deen. All performers were very keen to return to performing live on stage, and after the budget was released by EDEKA, it took Badensound’s company owner Johannes Moeck only four weeks to make the whole event happen.

“We are extremely pleased with the positive response to the idea of the Edeka shopping cart festival. The success proves to us that we have hit the right tone with this event,” adds Florian Heinzmann of Edeka Southwest.

“In hindsight, the event turned out to be a blast,” reflects Moeck. “I’m very thankful to be back to work, even limited by the current restrictions. Everyone had a wonderful time, the audience, the artists and the Edeka officials. Our sound equipment from EV and Dynacord proved once again to be the best choice to guarantee a flawless event. I have already been approached regarding a repeat of this event. Thanks to Dynacord’s support, I was privileged to work with the MXE5 for the very first time and I can only tell you that it will revolutionize the business!”

MANHEIM, PA — Harrington Hoists, Inc. has introduced their new CX010 mini hand chain hoist designed for use in high or difficult to reach areas.

More details from Harrington Hoists (www.harringtonhoists.com):

This hoist has a rated capacity of 1 Ton and is the third model in Harrington’s line of smallest and most lightweight hand chain hoists in the world. This hoist is available with 10 or 20 foot of lift and features a Twist Detector that visually identifies if the bottom hook has been capsized which alerts users to correct the resulting twisted chain before use.

Standard features of the CX series hoist include a load limiter to prevent the hoist from being used to lift damaging loads beyond rated capacity, a metal chain guide for durability and smooth operation, an aluminum body with steel frame for strength and grade 100 nickel-plated load chain.

Harrington Hoists, Inc. is a KITO Group Company located in Manheim, PA, Elizabethtown, PA, South Holland, IL and Corona, CA. and is a leading manufacturer of electric and air powered chain hoists, electric wire rope hoists, lever hoists, manual hand chain hoists, push and geared trolleys, overhead cranes, crane accessories, below-the-hook and material handling equipment.

QSC announces the release of the multipurpose NV-32-H (Core Capable) native network video endpoint for the Q-SYS Ecosystem, which now lets users toggle between ‘Core Mode’, which transforms the device into a fully capable Q-SYS processor with local HDMI switching capabilities, and its existing ‘Peripheral Mode’, which is designed for network HDMI video distribution over standard AV networks.

More details from QSC (www.qsc.com):

“Our definition of meeting rooms has dramatically changed over the past nine months with an increased need for smaller rooms with collaboration at the forefront. We used this opportunity to reimagine the NV-32-H and develop a multipurpose, all-encompassing endpoint that gives integrators flexibility to meet specific room needs, while reducing hardware, especially for rooms where real estate comes at an absolute premium, and simplify integration and optimize system costs,” says Josh Arnold, Senior Product Manager, Installed Systems, QSC.

The new ‘Core Mode’ on the NV-32-H offers a fully-featured audio processing engine for the Q-SYS Ecosystem, including 32 x 32 network audio channels, eight AEC channels, one VoIP softphone instance, and optional support for Software-based Dante. As with the rest of the Q-SYS processing portfolio, it also features a robust software-based control engine allowing for simple control integration for native Q-SYS devices as well as third-party connected devices.

Additionally, as the new NV-32-H (Core Capable) is specially intended to support in-room video collaboration spaces, it also offers an integrated 3×2 video switch for locally connected HDMI sources. This feature represents a huge time saving and cost efficiency for small-to-medium sized meeting rooms and classrooms that require easy toggling control between in-room inputs (PCs, BYOD devices, document cameras) and outputs (multiple displays or projectors) as it removes the need for a standalone switching device and costly integration requirements.

‘Peripheral Mode’ toggles the device into a multi-stream network video endpoint for HDMI video encoding/decoding for video distribution for the Q-SYS Ecosystem. This mode allows video distribution needs within larger collaboration spaces to strike a balance between quality, latency and network efficiency.

In either ‘Core Mode’ or ‘Peripheral Mode’, the NV-32-H (Core Capable) offers simplified integration for web conferencing applications like Microsoft Teams Rooms, Zoom and Google Hangouts Meet. This devices act as a plug-and-play access point for USB delivery of Q-SYS audio and conference room cameras.

“We have asserted from the start that Q-SYS is merely software. The dual personality of the new NV-32-H is proof positive of this belief,” says Mike Brandes, Product Manager, Q-SYS Video, QSC. “Our trust in industry-standard Intel processing combined with our ability to innovate at the software level has allowed us to infuse a new level of flexibility and scalability of Q-SYS, particularly to meet the rapidly changing needs of the collaboration space.”

For more information on the NV-32-H (Core Capable), and to better understand the capabilities between the ‘Core Mode’ and ‘Peripheral Mode’, please visit: www.qsc.com/qsysnvcore.

LAS VEGAS – On Oct. 20, MGM Resorts shared details around the first shows to return following months of closure amid the Covid-19 pandemic. In accordance with current government guidelines, the company will return seven shows to stages at MGM Grand, Luxor and Excalibur beginning November 6.

More details from MGM Resorts International (www.mgmresorts.com):

“After eight months, it’s time to bring entertainment back to the Entertainment Capital of the World,” said George Kliavkoff, MGM Resorts’ President of Entertainment and Sports. “While there is still a long road in our city’s recovery, the reintroduction of these shows is an important first step. November 6 is going to feel very special as we welcome back team members and guests and bring the curtains up for that first time.”

This initial phase of entertainment allows for a maximum audience of 250 guests, physically distanced at 6 feet between parties and a minimum of 25 feet from on-stage performers. Please note in some cases the show’s venue may reflect a change from previous performances, in order to meet all guidelines.

Beginning November 6, guests will be able to enjoy:

MGM Grand

• David Copperfield will return to the David Copperfield Theater at MGM Grand.
• Jabbawockeez will bring its signature moves and “Timeless” show to the MGM Grand Garden Arena
• Brad Garrett’s Comedy Club will take to the stage in the resort’s Studio A & B Ballrooms
• Carrot Top will perform in the Luxor Theater

In addition, MGM Resorts noted that:

• Fantasy, a female revue featuring lead singer Lorena Peril, will perform in the Luxor Theater
• The Australian Bee Gees will perform in the Excalibur’s Thunderland Showroom
• Thunder From Down Under will perform in the Excalibur’s Thunderland Showroom

MGM Resorts spent months developing and implementing its comprehensive Seven Point Safety Plan and its Meeting and Conventions: “Convene with Confidence” program, which outline the company’s approach to protecting the health and safety of guests and employees. A “Convene with Confidence” program specifically for entertainment and sporting events also has been created and will be implemented November 6 when shows reopen. The multi-layered plans look at everything from sanitation stations, masking and physical distancing to digital solutions that minimize touch points as well as enhanced cleaning protocol. Details around both programs can be found at MGM Resorts Entertainment Convene with Confidence.

Kliavkoff added, “Our hope is that as we successfully navigate the reintroduction of these initial shows, we can continue working with our state and local officials to create an environment in which we can return even more of the city’s entertainment landscape. Entertainment and events are in our DNA and we are anxious to get back to our roots.”

For show schedules, additional information and to purchase tickets for any of these shows, visit MGM Resorts Open Entertainment at https://www.mgmresorts.com/en/entertainment/entertainment-now-open.html

Weber State University’s Dee Events Center is now home to a new L-Acoustics Kara(i)/SB18i loudspeaker system designed and installed by Poll Sound.

OGDEN, UT – Poll Sound updated the audio within Dee Events Center (DEC) on the campus of Weber State University (WSU) in Ogden, UT, home base for the WSU Wildcats basketball teams. The domed 11,600-capacity arena is now covered by a new L-Acoustics Kara(i) loudspeaker system.

More details from L-Acoustics (www.l-acoustics.com):

Seating 11,600 spectators, the WSU Dee Events Center is the home court of the NCAA Division I WSU Wildcats men’s and women’s basketball teams

For more than four decades, the Dee Events Center (DEC) on the campus of Weber State University (WSU) in Ogden, Utah has served as the home court of the NCAA Division I WSU Wildcats men’s and women’s basketball teams and played host to many Big Sky Conference championship games. This summer, the domed arena welcomed its newest “player”—a brand new L-Acoustics Kara(i) loudspeaker system designed and installed by Salt Lake City’s Poll Sound.

Capable of seating nearly 11,600 spectators in its circular bowl, the Dee Events Center is truly a multipurpose venue. It has also hosted its share of other college and professional sports, major touring concerts, commencements, religious and community events, and much more. Although the school has continually invested in various upgrades to the venue over the years, one thing that has remained unchanged for more than a quarter century has been DEC’s sound reinforcement system, which had become decreasingly effective with time.

The bowl’s six array clusters each feature 11 Kara(i) and two SB18i

“The facility’s previous sound system probably performed okay when it was installed back in the ’90s, but ‘state-of-the-art’ has certainly changed a lot since then, leaving the Dee Events Center behind in terms of impact and intelligibility,” says Poll Sound Owner Deward Timothy, who spearheaded the new L-Acoustics system design.

Timothy notes that the old system was especially lacking with non-sports events where a stage is set up at one end of the court. “A center hung array has a disadvantage in this type of setup, which is our usual scenario for ceremonies, speeches, main assemblies, graduations, small concerts, and so on. So we were given the directive to come up with a new design that would work well for both sports and stage events.”

The Poll Sound team turned to L-Acoustics Soundvision design software to find the ideal solution for the venue. The result was a bowl system made up of 66 Kara(i) enclosures and a dozen SB18i subs. These are divided into six identical arrays of 11 Kara, plus two adjacent SB18, evenly spaced around the cloud and scoreboard above center court and hung directly from the ceiling of the geodesic dome. For power, a dozen LA12X amplified controllers are split into four racks positioned around the cloud catwalk.

“We modeled a variety of loudspeaker configurations in Soundvision, and this arrangement of Kara arrays represented the best overall solution with the main considerations being consistent coverage, maximum SPL and intelligibility, weight constraints, ease of installation, and cost,” says Timothy. He further adds that Kara has more than proven itself on numerous other Poll Sound NCAA arena projects, including the Brigham Young University Marriott Center and University of Utah Huntsman Center.

To meet the challenge of having audio originate from the stage, Poll Sound chose to specify the deployment of four medium-throw L-Acoustics Syva colinear loudspeakers, each seated atop a Syva Low enclosures on the stage floor for extended LF performance. “These provide the audio precedence and floor coverage, and delay portions of the main array back to the stage,” Timothy describes. “This is easy to do because we can create coverage zones with the positioning of the Kara arrays; for example, those facing back to the podium and blocked off areas are not turned on when using the stage.” All of this zoning and variation in setups is managed through presets that Poll Sound programmed into LA Network Manager.

WSU Assistant Director, Event and Sports Facilities Mark Livingston describes the new system as “a major upgrade that will help the rest of the venue shine”

Timothy’s team also supplied the facility with eight short-throw X8 coaxial enclosures for use as stage monitors and for frontfill as needed, plus three four-channel LA4X amplified controllers for power and processing.

Due to the pandemic, DEC hasn’t hosted events since the sound system installation; however, it hasn’t stopped the team there from being impressed with the new setup. “We have been very pleased with the coverage and clarity of the sound system at all points from the court floor to the top of the arena,” says WSU Assistant Director, Event and Sports Facilities Mark Livingston, who has been with the school for 13 years. “When our current Director and I first heard Poll Sound starting to test the system from her office, it sounded so clear that we thought we were hearing the full system, when in fact, it was just the first line array that they had flown. Even that one array was outperforming our entire old system!

“This sound system has been one of the greatest upgrades I have seen for the university in my years with Weber State,” he continues. “With 22 high school graduations and all the speaking events that we hold here at the Dee Events Center, this new L-Acoustics system is a major upgrade that will help the rest of the venue shine. We’re also very excited to finally be able to tie touring concerts and performances into our sound system, which is something we’ve always had to hire out in the past. Both L-Acoustics and Poll Sound—especially Dan Salmond, who was the best project lead I have ever had the pleasure of working with—were amazing, going well above and beyond what we expected. We’re so happy with what we’re now hearing here at the Dee, and we can’t wait for WSU Wildcats fans and our other patrons to experience it for themselves.”

For more details on Weber State University’s Dee Events Center and its upcoming itinerary, visit www.weber.edu/eventandsportfacilities. Poll Sound can likewise be found online at www.pollsound.com.

CHICAGO – Brown Note Productions, based in the Denver area, provided a new &b KSL loudspeaker system for Radius, a venue for live music and other events in Chicago. The photo here shows the venue at its grand opening in February.

More details from d&b audiotechnik (www.dbaudio.com):

Radius is a 55,000 square foot multi-room venue, scalable in capacity from 2,500 to 3,800 guests. The venue features a state-of-the-art d&b KSL loudspeaker system installed by Brown Note Production of Thornton, Colorado, exceptional acoustics, VIP mezzanine level, artist lounge, four stylish artist rooms with full amenities, an open-air artist compound area, production offices, and RV/truck parking with direct access to the stage for load-in and out. Following its initial opening in February and currently awaiting its re-opening due to COVID-19, Radius is located in Chicago’s East Pilsen neighborhood just south of The Loop. Previously an old steel factory, the space has been transformed into a modern artistic venue, showcasing mural work by local and international artists, and equipped with stunning light fixtures to highlight the uniqueness of the venue. Radius utilized the open floor plan of the building to produce an exploratory experience for guests, where they can flow between the various areas, hold creative photo ops, and changing viewpoints at the mezzanine level.

Cermak Hall (set to come online in 2021) is located within Radius and is a 10,000 square foot multi-purpose event space with a capacity for 1,350 guests, featuring its own entrance, a full bar, and stage. The hall will be used as a pre- and post-event space.

“The original spec was for a d&b J-Series as the project started four years before the SL-Series was available,” states Ryan Knutson, Brown Note Productions. “The KSL was the natural progression for the venue’s future sound reinforcement needs. As we went down the road with the J-Series, the clear replacement would be KSL as it fit the venue size and sound qualities needed to cover the venue throughout.” Brown Note also installed d&b Y-Series point source loudspeakers ideally suited for the additional fill coverage needs, providing appropriate SPL output and consistent d&b voicing.

The SL-Series sets a new standard for power, accuracy and control in line array performance delivering full range broadband directivity and extended low-frequency response. KSL is the second system to be released as part of the SL-Series, providing these benefits for use in medium to large scale applications in an accessible size.

Knutson said the client attended a demo at the Mission Ballroom (also a Brown Note KSL install) soft opening and listened to the system. “The use of d&b ArrayCalc to model the venue gave us the right predictions to be successful with the deployment and commissioning.”

“The d&b KSL loudspeaker system was essential – from the start, we wanted the sound to be a major differentiator for Radius and this system was the driving force,” states owner, Nick Karounos. “With this system and the venue acoustics, we’ve essentially addressed a major complaint of other venues that were a theatre first and then retrofitted into a concert venue.”

Radius will entertain most every style of music, from rock to electronic and everything in between. The venue is set up to handle most touring shows and since the pandemic, has shifted to small socially distanced experiential events, private events and corporate events.

The d&b system configuration consists of 11 x KSL (7 KSL8, 4 KSL12) per side for a total of 22, 10 x SL-GSUB, 4 x Y10p loudspeakers for front fills, 2 x Y10p bar area fills, 2 x Y10p under balcony fills, 5 x 10S-D for the mezzanine and VIP area fills, 17 x D80 amplifiers, 3 x D20 amplifiers and 2 x DS10 Audio Network Bridges.

For more information on Brown Note Productions, visit www.brownnote.com.

For more information on Radius, visit www.radius-chicago.com.

For more information on d&b audiotechnik, visit www.dbaudio.com.

The event is online-only this year.

USA – Event Safety Alliance (ESA), organizers of the annual Event Safety Summit, which is online this year due to the ongoing pandemic, announced a new addition to the lineup of educational sessions – a Reopening Plan Development Workshop. The online event runs from Dec. 7-11.

More details from the Event Safety Alliance (www.eventsafetyalliance.org):

We all long to return to our venues and events as they were in the “before times”. While some activities have resumed, there is still much uncertainty about when and how to safely reopen as the science around COVID-19 evolves. Effective health and safety protocols are essential for successful events in this “New Abnormal”, and plans must be customized to reflect the user’s unique needs, challenges, opportunities, and jurisdictional requirements.

To assist event operators in kickstarting the reopening process, we’ve added an important new session to close out this year’s Event Safety Summit program.

“Planning Through Tough Times: Figuring Out Your COVID-19 Response”

Led by safety consultant and Event Safety Alliance Canada President Janet Sellery, this 3-hour workshop will include an overview of relevant resources, segment-focused small group activities, and live Q&A. You’ll emerge with tools, tips, and a planning framework to organize your response with a view towards resuming events safely and responsibly, regardless of their size or type.

More details from ESA about this year’s Event Safety Summit:

As a result of the ‘New Abnormal’ we’ve been living through since March, health and safety is more in the spotlight than ever before. Issues we thought we understood have been complicated by the need for social distancing, face coverings, and new sanitary standards. Once we figure out how to reopen safely, the issue of economic viability must be addressed. This is on top of the usual concerns such as crowd management, production safety, employee training, contracts, and insurance. While most of us wait for our opportunity to return, the time to start preparing is NOW.

Since we cannot physically be together, this year’s Event Safety Summit will be held entirely online. And since there is so much to discuss, we have scheduled an entire week of conversations with subject matter experts, including opportunities to chat with them directly.

The program features more than two dozen sessions, live Q&A with presenters, virtual networking opportunities, an exhibitor area, and more. Best of all, you won’t have to miss a moment because all sessions will be accessible for 30 days after the event, so you can catch up on the action at a time that is right for you.

Registration for this five-day virtual event is just $99 for ESA members, $125 for non-members. Members will also receive year-round access to the Summit content and an exclusive discounted rate for our (hopefully live) 2021 Event Safety Summit.

Control One (top) and Marc One (below)

MONTREAL – SPL of Germany has shipped the “Control One” ($599) and “Marc One” ($799) monitor controllers from their new competitively priced “Series One” product line. The SPL line of products is distributed by Focal-Naim America in the US and Canada.

More details from SPL (www.spl.audio) and Focal-Naim (www.focalnaimamerica.com):

The SPL Control One is the ideal monitor controller for the modern studio. As a high-quality analog control center, it manages audio sources and monitor speakers including subwoofer. In addition, the device features an individually adjustable high-quality headphone amplifier with Phonitor Matrix. Thanks to the various monitoring modes, no sound detail remains undiscovered.

The SPL Marc One extends this feature set by a state-of-the-art stereo AD/DA converter with the highly acclaimed AKM AK 4490 Velvet Sound(tm) chip on the DA side and the matching AK 5552 on the AD side. Besides playing and recording digital PCM audio material with up to 768 kHz/32Bit, a playback of Direct Stream Digital Audio up to DSD4 is also possible. Marc One can directly be connected to a computer via USB – regardless of whether it is a Mac, PC or Class Compliant Mobile Device. Analog volume controls, premium switches and a high-quality metal housing with aluminum front panel round off the overall professional design.

True to the motto “Number One in Sound”, SPL has developed a new product line that combines the sound of their big devices with a desktop-friendly design and an affordable price for the ambitious user. The Series One was equally developed for professional recording studios, home studios, musicians, music lovers, and media creatives of all kinds.

Hermann Gier, co-founder and CEO of SPL said, “With the Marc One and the Control One we are bringing two monitoring controllers to the market, designed to speed up the workflow and to create remarkable sounding mixes. The Marc One is our first monitoring and recording controller with a hi-res AD/DA converter on board. That means that users can not only monitor any USB source but they can now also record using their beloved channel strips or mic preamps reaching a higher sound quality than with the usual interfaces.”

SPL “Control One” – Monitor Controller

• 2 Stereo Line Inputs
• 2 Stereo Speaker Outputs for control of two sets of speakers
• Subwoofer Output
• Stereo Line Output
• Powerful Headphone Amplifier
• Phonitor Matrix with ‘Crossfeed’ Control
• Analog volume controller
• Aluminum front panel and metal housing
• Made in Germany

SPL “Marc One” – Monitoring and Recording Controller with A-to-D and DAC

• Digital Stereo I/O (USB)
• 2 Stereo Line Inputs
• 2 Stereo Speaker Outputs for control of two sets of speakers
• Subwoofer Output
• Stereo Line Output
• Powerful Headphone Amplifier
• Phonitor Matrix with ‘Crossfeed’ Control
• Analog volume controller
• Aluminum front panel and metal housing
• Made in Germany

The SPL “Control One” has a recommended retail price of $599.00 USD, while the “Marc One” with A-to-D and DAC has a recommended retail price of $ 799.00 USD. Both products are set to be available in stores starting October 19th, 2020.

Find further information about Series One on the product page on the SPL website: https://SeriesOne.spl.audio

Entrance of the Roxy Hotel, featuring Genelec 4430A Smart IP Installation Speakers

NEW YORK – A pair of Genelec 4430As provides ample sound for the Roxy’s small outdoor dining and cocktail area while providing AV systems integrator Essential Communications with installation features such as POE.

More details from Genelec (www.genelecusa.com):

Entrance of the Roxy Hotel, featuring Genelec 4430A Smart IP Installation Speakers

Formerly known as the Tribeca Grand Hotel, the Roxy Hotel is a four-pearl, 201-room property in the heart of Manhattan’s Tribeca neighborhood. It’s hip and cool – amenities include an in-room pet goldfish (on request) and free loaner bicycles – and multiple bars offer regular live music, including a jazz club and cocktail lounge. The newest amenity is a cozy cocktail and dining area under the hotel’s marquee, designed for a bite and sip in a pandemic-safe environment. But the hotel didn’t skimp on sound: a pair of Genelec 4430A Smart IP Installation Speakers were installed there over the summer by integrator Essential Communications, which had earlier installed and then updated the hotel’s distributed sound system.

“The Roxy is all about music and all about great sound,” says David Schwartz, President of Essential Communications, which specializes in AV for hospitality clients, among others. “When you want to convey the idea of quality, Genelec is the best choice of speaker, because Genelec is all about sound quality. It’s why musicians, record producers and recording engineers use them.”

And the Genelec 4430A was the perfect fit for the hotel’s needs. Weighing barely 11 pounds, and approximately 11 inches high, seven inches wide and seven inches deep, the 4430 delivers full-range sound in a compact package, and its weather-resistant finish makes it perfect for covered outdoor applications such as this. But what also caught Schwartz’s attention was its inclusion of power-over-Ethernet (PoE) and Genelec’s traditional self-powered operation. The 4430A offers power, audio and loudspeaker management via a single standard CAT cable, delivering unrivalled flexibility, cost-effectiveness and simplicity of installation. “I had been talking about that idea for years, and when Genelec delivered that in the 4430, I knew this was the speaker for this project,” he says. Integration of the 4430As with the existing Dante protocol audio transport network was a simple task. “A single cable back to the PoE switch we had installed there, create a zone for it in the sound-system processor, and we were done. And they loved the sound.”

They also liked the value. Schwartz remarks, “In addition to the level of quality you’re getting, you also have to factor in that you don’t need to buy and install and wire an amplifier. Combined with the PoE connection, everything over one cable, this was a very cost-effective installation. And combined with the great sound, it’s a complete winner.”

Katrin Rawks and Ianina Canalis

BERKELEY, CA – Meyer Sound promoted Katrin Rawks to Director of Loudspeaker Engineering and appointed Ianina Canalis Application Architect, Spatial Audio Specialist for the company’s Spacemap Go Team.

More details from Meyer Sound (www.meyersound.com):

Katrin Rawks

Starting at Meyer Sound as a student intern in 2003, Katrin Rawks has steadily taken on increasing responsibilities over the years, culminating in her recent appointment as Director of Loudspeaker Engineering. In her new role, she reports directly to Vice President of R&D Marc Chutczer.

In prior positions in mechanical engineering and transducer engineering, Rawks worked directly with company President & CEO John Meyer and Vice President and Chief Loudspeaker Designer Pablo Espinosa on the mechanical and acoustical designs of 23 Meyer Sound products, including LEO Family line array loudspeakers, the new ULTRA-X point source loudspeakers and the breakthrough Bluehorn System. She is co-holder of the technology patent associated with LEOPARD line array loudspeakers as well as five design patents related to Ashby, Amie and LEOPARD.

“It’s been inspiring to work with Katrin over the years, and watching her develop her considerable talents as a key member of our loudspeaker engineering team,” comments John Meyer.

“What I really appreciate about Meyer Sound, and why I’ve chosen to make my career here, is the scientific integrity that underscores all we do,” says Rawks. “It’s inspiring to be surrounded by people who are extremely knowledgeable and who are as enthusiastic about what they do as I am.”

Rawks received her Bachelor of Science in Mechanical Engineering from the University of California, Berkeley in 2003 and has completed graduate level courses in acoustics through Penn State Distance Learning. She is based at Meyer Sound’s Berkeley headquarters.

Ianina Canalis

Joining Meyer Sound early in 2020, Canalis already is contributing her unique expertise to the final development stages of Spacemap Go, Meyer Sound’s breakthrough spatial sound design and mixing tool. Prior to joining Meyer Sound, she held posts as a lecturer in live sound technology at universities in both the United Kingdom and her native Argentina. During this time, she continued to develop and demonstrate her own software for multichannel live sound production she calls ISSP, or Immersive Sound System Panning.

Canalis initially developed ISSP while earning her Master of Science in Audio Engineering from Leeds Beckett University. She also holds dual bachelor’s degrees (Audiovisual Technology, Sound and Recording) from the National University of Lanús in Argentina. Meyer Sound discovered her exceptional talents when she applied ISSP to several live events sponsored by SoundGirls, first at sound:check Xpo 2019 in Mexico City and later that year at the AES convention in New York. Canalis is based in Berlin, Germany and reports to Vice President of R&D Marc Chutczer.

“It is wonderful to be part of the Spacemap Go global development team,” says Canalis. “Each member comes with a spectacular background, which enhances the exchanges among us. We are refining this software together, continually improving the tool as we strive to increase the creative possibilities.”

“We continue to be amazed and gratified by the talents of the people we attract to Meyer Sound, and also those we’ve been able to retain for years while they develop their skills,” says Executive Vice President Helen Meyer. “With Ianina and Katrin, we are also proud to continue our industry leadership in promoting gender balance in top-level positions.”

PORTO, Portugal – NEXT-proaudio is opening a new Logistics Center that will operate as an extension to the factory in Porto, Portugal. Along with an increase in available space, the new facility will make use of advances in logistics software to make operations more flexible and efficient, supporting the upcoming launch of the company’s new brand, NEXT Audiocom.

The new software includes an online interactive platform, internal logistic software NXT and an automatic packing optimization software, all based on the 4.0 technology, helping the company keep up with expanding demand for its products.

More details from NEXT-proaudio (www.next-proaudio.com):

The new logistics platform project was managed by NEXT-proaudio and provides 1,000 square meters of floor space for warehousing and logistics. The new Logistics Center is located in Porto, 10km away from the main Port and Airport, making the transports and logistics even easier and more convenient.

In the same building there is also an expansion of office space for sales, marketing, and a logistics control center.

A key investment was the automated software NXT that manages all the orders and establish a link between the factory, logistics and sales teams. This helps minimize errors and improve quality and productivity from the start of production until the final delivery to the customers. This logistics center is already prepared for the new brand that will be launch soon, NEXT Audiocom.

BREMEN, Germany — Last year, the Bremen-based service provider AVM Veranstaltungstechnik, chose to make a significant investment in CODA Audio systems. The company, led by Managing Director, Jens Wiegandt, took delivery of a range of sound reinforcement, including the compact, high output, arena line array AiRAY system, SCP-F subwoofers, APS (Arrayable Point Source), APS-SUBs, as well as LINUS DSP loudspeaker management amplifiers. In the months before the Coronavirus pandemic struck, the systems had distinguished themselves by virtue of their sonic qualities and superb handling characteristics at top events such as the Summertime@Norderney and Tabularazza festivals, as well as at a host of concerts and corporate events.

“In the first instance, we chose CODA because we consider them to be a very technically innovative company. We were impressed by the excellent sound characteristics and high output they achieve from such compact and lightweight systems,” commented Matthias Kühl, Sales and Marketing Manager at AVM. The experience of the AVM team across a range of events confirmed their confidence in CODA. Customer feedback was exclusively positive which came as no surprise to Kühl, who concluded that “When it comes to compact size, performance and sound quality, CODA Audio is without doubt a technical leader.”

When it came to investing in audio technology again, the renowned AVM team did not hesitate. This time the focus was on CODA’s N-RAY system. Following a trial of the system at the prestigious ‘Sixdays Bremen’ cycling event at the OVB Arena in January this year, the decision to purchase was taken immediately. Head of Sound, Niklas Hinsch was unequivocal in his praise: “The output of these extremely compact speakers is unrivalled…”

AVM has expanded its CODA Audio arsenal

In addition to a complete N-RAY system comprising 72 loudspeakers, AVM also purchased further CODA Audio products, among them, the 15-inch Low Frequency Extension SCN-F and loudspeakers from the HOPS-Series (passive 2-way High Output Point Source) compatible with N-RAY. The Bremen provider is thus now able to supply CODA Audio quality to every possible type and scale of event and is the largest provider of CODA Audio in Germany.

The onset of the Coronavirus pandemic delayed N-RAY’s next appearance for AVM until October, when the Volksbank staged a corporate event at the Three-Fields Sportshall in Rheden, Germany. AVM deployed 8 x N-RAY per side, ensuring complete coverage and most importantly, flawless voice reproduction. Matthias Kühl was pleased:

“The event was a complete success – the customer was extremely satisfied with the sound and the high resolution speech intelligibility.”

Exactly when AVM will next be able to deploy its expertise and range of premium CODA Audio loudspeakers at larger events remains uncertain, but the company is upbeat. Kühl remains optimistic:

“Every crisis also offers opportunity, so we’re taking on the current situation and have already found some good solutions and approaches to staying operational, and bringing colleagues back from short-time working. There will be hardly any major events in the next six months – the market will concentrate on hybrid events because special times call for special measures. We’re prepared for this, and with an inventory of 170 CODA Audio speakers and 23 amplifiers, are perfectly equipped for the restart.”

For more info, visit https://codaaudio.com.

Dan Mortensen, AES Show Sound Reinforcement Track Chair and Historical Track Co-Chair and President of Dansound Inc.

NEW YORK – The world of live events has been hammered this year by dramatic changes and challenges. Even with that backdrop, the ongoing importance of sound reinforcement in communications and entertainment is nowhere more evidenced than in the AES Show Fall 2020 Convention Sound Reinforcement Track sessions.

More details from AES (www.aes.org):

Taking place October 27-30 in this year’s exclusively online format, the AES Show Technical Program will highlight the latest advancements in sound reinforcement tech and practice, as well as pandemic-driven issues including optimizing health and safety standards for live sound technicians and their audiences. The Technical Program On Demand content will be available beginning October 26, with parallel scheduled streams featuring live Q&A sessions taking place October 27-30. AES Show All Access registrants can attend all Sound Reinforcement Track sessions along with the rest of the comprehensive Technical Program Special Events, including everything else the AES Show has to offer.

“While we’re unable to be physically together this year, we’re excited to have so many great presenters sharing and showing their work to us” stated AES Show Sound Reinforcement Track Chair and Historical Track Co-Chair and President of Dansound Inc., Dan Mortensen. “In some cases, particularly the ‘Remote Optimization’ and ‘Sound Reinforcement in a Covid World’, there are specific techniques of how to deal with the strange times we are in. Many or most of us are still looking forward to doing our first show again, and we hope our Track will not only help remember the good times but also help you to look forward to the new good times when we’re working again at the thing we love so much.”

One challenge throughout the sound reinforcement industry is providing a full and impactful listening experience while maintaining safe and comfortable listening levels. In the session “Sound Engineering for Safe Listening,” streaming Tuesday, October 27, at 6:30pm EDT, experts in fields from sound reinforcement to audiology will gather to share the World Health Organization’s vision for safe audio listening levels, provide insight into current actions and discuss the important role sound engineers can play in this global effort. Panelists include Shelly Chadha (World Health Organization), Kaloyan Kamenov (World Health Organization), Mark Laureyns (AEA European Association of Hearing Aid Professionals), Adam J. Hill (University of Derby), Michael Santucci (Sensaphoncs), Ian Wiggins (University of Nottingham) and Marcel Kok (dBcontrol).

Another topical and timely session, “Sound Reinforcement in a Covid World: An International Panel of P.A. Company Representatives and Production Professionals Summarize the State-of-the-Art of Getting on With It,” will take a look at current conditions and the emerging research and technologies that are helping keep the industry alive, streaming Thursday, October 29, at 6:30pm EDT. Panelists for this session include Track chair Mortensen, Jonathan Stoverud-Myers (Carlson Audio), Tim McCulloch (Pro Audio Systems), Gordon McGregor (GBR Scotland), Owen Orzack (Eighth Day Sound), Denise Woodward (IATSE Local 16, San Francisco Symphony), and Victor Arko (Eighth Day Sound).

The AES Show Sound Reinforcement Track will also feature eight on-demand sessions being made available for personal viewing as of October 26, covering immersive audio in venues, concert sound, system optimization and other topics. Of note, the on-demand session “Wireless Microphone and Intercom Spectrum Update” provides an important update on recent frequency allocation and the 600MHz spectrum auction, which features the late Mark Brunner (Shure), known for his outspoken knowledge and mastery of the subject, along with panelists Karl Winkler (Lectrosonics) and Joe Ciaudelli (Sennheiser).

Visit AESShow.com to find out more about the AES Show Sound Reinforcement Track and other Technical Program sessions, the AES Show Partner Showcase, and much more happening as the AES Show 2020 expands across October as Audio Engineering Month. Showcase registration is free for AES Members, while non-members can register for just $25, or for free with a VIP promo code from one of the AES Show Partners (special thanks go to AES Show Fall 2020 Convention Platinum Partners Amazon Devices, Focusrite, Focusrite Pro, Genelec, NTP Technology (DAD, Penta), and The Recording Academy Producers and Engineers Wing). For everything AES Show 2020 has to offer, including the comprehensive Technical Program, All Access Registration starts at just $149 for AES Members and $99 for AES Student Members.

LAS VEGAS — Ellis Island Casino & Brewery’s new “Front Yard” facility welcomes guests with big video screens and a Renkus-Heinz audio system. The setup includes two Renkus-Heinz ICONYX IC16-RN loudspeakers and two IC215S-R subwoofers.

More details from Renkus-Heinz (www.renkus-heinz.com):

Ellis Island Casino & Brewery was opened by Frank Ellis in 1968 as “The Village Pub,” located just one street off the main Las Vegas Strip. The pub quickly established itself as a local favorite. The location grew in popularity over the years, eventually seeing a rebrand as Ellis Island Casino & Brewery by current owner Gary Ellis in 1985. Today, the location continues to provide a fun and exciting experience for everyone in Las Vegas.

With that approach to entertainment in mind, the casino recently opened a new facility called “The Front Yard,” which combines a casual brewpub atmosphere with a complete accompaniment of entertainment options: from big screens for sports to live music performances.

The stunning two story indoor and outdoor facility is housed under a large retractable sun canopy and features a balcony area overlooking the main floor. The 350-person capacity building is also used for weddings, corporate events, and other large gatherings.

But that versatile use coupled with the space’s architectural intricacy was a challenge to plan for acoustically.

“With the large glass walls and the multiple floors of dining, there were plenty of reverberant surfaces,” said Shane Snell, Project Manager at National Technology Associates, the integration firm that installed the project. “We knew it was going to require Renkus-Heinz to ensure the sound would be high quality throughout the location.”

The Front Yard utilizes two Renkus-Heinz ICONYX IC16-RN digitally steerable live array loudspeakers and two accompanying IC215S-R dual 15-inch subwoofers. The ICONYX arrays make use of Renkus-Heinz’ industry leading digitally steerable technology, allowing venues of all size and type to digitally position sound exactly where you want it: on the audience. By programming the arrays digitally, the sound stays off the peculiarities of the room, and is directed entirely toward the audience’s ears.

“We were able to program the system using Renkus-Heinz RHAON software so the sound was hitting every single location we needed it to,” Snell said. “It took us just one afternoon to get it tuned to where we wanted it. And while the units are incredibly compact, which makes them easy to install, there is a ton of power in there between the arrays and the subwoofers. Listening to the system from every audience location is truly impressive.”

The IC16 loudspeakers are also weather resistant — a key consideration in a location that is exposed to the outdoor elements when the roof is retracted.

“The Ellis family is very happy with the results,” Snell said. “The place is famous for its karaoke, and they’re considering renovating that portion of the casino. Their first ask about the upgrade was that it sound just like the Renkus-Heinz system.”

The MV7 is Shure’s First Hybrid XLR/USB Microphone

For podcasters, gamers, and vocalists, professional-level audio production is paramount. To answer the increasing demand for audio streaming and recording solutions at home, in the studio, or anywhere, Shure today unveiled the MV7 Podcast Microphone – the company’s first hybrid XLR/USB microphone. Ideal for both entry level and experienced creators, the MV7’s intuitive design makes it incredibly user friendly and simple to set up and control.

Harnessing the company’s engineering prowess that developed its iconic SM7B Vocal Microphone—a legend in the recording, live streaming, and podcasting sectors—the MV7 dynamic microphone delivers versatility and control, flexible connectivity options, and high-quality audio in a sleek, compact design.

The MV7 has both XLR analog and USB outs, headphone monitoring and access to DSP parameters via software.

“This year, we’ve witnessed a significant uptick in the demand for tools and accessories that support live streaming and podcasting – especially as many continue to broadcast their talents from home,” said Soren Pedersen, Associate Manager, Global Product Management, at Shure. “Regardless of the application, creators understand the importance of clear and intelligible audio. We’ve designed the MV7 to be laser focused on the user’s voice, so the audience always gets a clear and rich reproduction no matter the type of room they record in, so their audiences can focus on the content.”

A Virtual Audio Engineer in Every Box 

Shure’s Voice Isolation Technology elevates the user’s voice to help take podcasts or live streams to the next level. No matter the environment, the microphone’s pick-up pattern focuses solely on the vocals by bringing it to the forefront of the recording, for uninterrupted audio every time.

A user’s vocal level and mic position are always fluctuating. Auto Level Mode sets gains perfectly in real time, so the output levels stay consistent. This enables creators to focus on the content, and not on their mic technique, resulting in less time editing post-recording, and more time creating. Auto Level Mode also acts as a virtual audio engineer and adjusts audio levels on the fly, giving audiences a more consistent listening experience.

Fast Setups Via User-Friendly Customization

An integrated touch panel optimizes control for quick, convenient adjustments. With just a few taps, the touch panel control lets the user adjust the gain, headphone volume, monitor mix, and mute/unmute, with an option to lock customized settings.

The mic is also offered in black.

Complemented by the new, free Shure MOTIV App for desktop, the MV7 offers the flexibility to control audio functions with the convenience of various preset modes. Users can select their tone (Dark, Natural, or Bright), depending on if they want a deep “radio” voice, or a crisp and clean sound. These settings are available in Auto Level Mode and can be selected with one click in the MOTIV app. Similarly, users may select their mic distance from the MV7 (Near or Far), depending on how they are positioned. For podcasters and streamers who like to be up close and personal with the mic, near mode is ideal. For those who need a little more breathing room, far mode offers a consistent level up to 18 inches. The MV7 is also certified by popular VoIP solution, TeamSpeak.

Elevated Compatibility 

Compatible with virtually any device or hardware, the MV7 is easy to integrate into an existing technology setup, whether creating content in a home studio or recording on-the-go. The mic offers a professional XLR output for use with interfaces, mixers, and professional audio equipment—making it an ideal multi-purpose solution for podcasting, radio, gaming, voiceovers, and recording studios. It also supports a USB-A and USB-C output for Mac and PC. When mobility and on-the-go recordings are needed, the MV7 works with select Android devices. A Lightning cable is available separately for use with iPhones and iPads.

The MV7 Podcast Microphone comes in two colors (black, silver) and is available at www.shure.com and select retailers for $249 USD. Customers have the option to purchase an add-on desktop mic stand, folding tripod stand or boom arm when buying the MV7 at www.shure.com/mv7.

The BASSBOSS B15 combines power and portability

Powered loudspeaker manufacturer BASSBOSS releases the BB15, a powered subwoofer for everyone who wants to add heavy bass to their system, using a surprisingly light and compact cabinet. This new single 15″ sub makes high-fidelity low-frequency response available in a small package. It transports in smaller vehicles, suits smaller events and more intimate spaces, and provides big-subwoofer output without being intimidating in size or in price.

BASSBOSS continues to push the envelope for mobile-optimized powered subwoofers. A powerful, easily portable system for deep bass and superior sound quality, the BB15 offers Plug and Play usage, integrated DSP, and a 2400 RMS continuous amplifier in a compact, lightweight design. At only 21″ x 17″ x 24″ and 70 lbs, it produces surprisingly deep bass for its size. With frequency response down to 40 Hz ±3 dB, it brings to life notes that mass-market subs simply don’t reproduce.

Power is provided by a 2,400W RMS amplifier with integrated, comprehensive DSP. This generous amount of continuous power ensures the amp isn’t the limiting factor in the output of low frequencies. Providing abundant power prevents overheating issues and virtually eliminates the damage that clipping a too-small amp can cause.

Plug and Play!

No outboard processing is required and none is recommended. BASSBOSS subs can be connected directly to a mixer with nothing but signal cable in between. The built-in processing is comprehensive and yet minimal manipulation is applied to the signal. The processing includes only a high pass filter, a low-pass filter and limiting. There is no need for any EQ in the signal for the speaker to provide a broad, flat frequency response. A sophisticated proprietary limiter system protects the woofer from thermal and over-excursion damage.

The BB15 is designed to minimize size and weight while maximizing efficiency and output. An efficient, universal application, cost-effective subwoofer, it features a 15 inch neodymium motor woofer with a 4″ split-wound, multi-layer aluminum voice coil in a Baltic Birch enclosure. The rigid, cross-braced cabinet constructed from 15mm multi-ply Birch and is finished in a rugged, black polyurethane coating. Drivers are protected by a black powder-coated, perforated steel grill.

The BB15’s driver features a high-intensity Neodymium magnet, which is lighter and provides higher efficiency than ceramic ferrite so the result is a lighter and louder cabinet. Split-wound coils produce a more linear force through the range of movement of the cone, for lower distortion and improved linearity at high output. Aluminum windings allow for higher motor force for the same mass as copper, resulting in further improved efficiency.

The net result of this combination of generous power, a premium driver, proprietary protection and an efficient design is remarkable performance, consistent with all BASSBOSS products.

For more info visit: bassboss.com

Specs

• Frequency Response (±3 dB): 40-105 Hz
• Max continuous SPL: 118 dB
• Peak SPL: 121dB
• Design:  Single 15″ direct-radiating vented subwoofer
• Maximum Sustained Output: 127 dB SPL, 1 meter, half-space (ground plane)
• Max SPL (Peak) Nominal: 130 dB
• Nominal Dispersion (H° x V°): Omnidirectional (360 x 360)
• Amplification:  2400 Watt Continuous RMS Class D Subwoofer Amplifier
• Processing:  Integrated Comprehensive DSP includes High Pass, Low Pass, Phase Alignment, EQ and Limiting
• Enclosure Type: CNC-machined 15mm multi-ply Birch laminate with extensive bracing and dado joinery.
• Transducer: 15” diameter Neodymium motor woofer with 4” voice coil, waterproof cone
• Cabinet: 18mm Baltic birch plywood with 2 integrated handles, 1 pole socket and 4 rubber feet
• Dimensions (HxWxD): 20.5x17x 24” (21.25” high with feet)
• Net Weight: 70 lbs
• Shipping Weight: 83 lbs

Full Sail University recently purchased a DiGiCo Quantum338 console

WINTER PARK, FL – Full Sail University has purchased a DiGiCo Quantum338, which has been installed in Full Sail Live 1, one of the university’s industry leading campus facilities utilized by its students. The console is also equipped with the new DMI-KLANG in-ear mixing expansion card, bringing immersive audio capabilities to the Quantum338.

More details from DiGiCo (www.digico.biz):

The school’s new Quantum338 shown in its new home at Full Sail Live 1

Furthermore, the school has also upgraded its existing DiGiCo SD7 console with a Quantum engine, endowing it with many of the same features as the Quantum338, including Mustard and Spice Rack processing. The SD7’s metamorphosis into a Quantum7 will allow all of the school’s DiGiCo components to operate on an Optocore network, including a newly-acquired DiGiCo SD-Rack with Ultimate Stadius 32-bit microphone pre-amp and DAC output cards.

“The Quantum338 will become our new flagship console for our Show Production degree program students,” says Dana Roun, Audio Arts Education Director, who developed Full Sail’s Live Production training curriculum in 1981, two years after the University first opened in 1979. “We do a wide range of event and learning scenarios in that facility, and the Quantum338 will be a tremendous asset there thanks to its power, flexibility, and functionality.”

Roun notes that DiGiCo desks have been part of Full Sail’s teaching arsenal for over a decade. In fact, the SD7 that just received the Quantum engine upgrade has been in place for 10 years, in a Full Sail Live 1 control room where students use it to mix prerecorded live sound tracks, and where it will continue to be available to students to learn and work on 24/7.

“The SD7 is a true workhorse console,” he says. “It’s been used day and night by students for a decade and it always delivers. Keeping in mind that we are constantly reviewing and implementing the lastest technology as well, with the Quantum upgrade, it’ll be like having a brand new console, taking it even beyond where it was and ready to go another decade of constant use. I can’t think of another desk that you could say that about.”

Adam Shirley, Course Director, PP7, Show Production at Full Sail University, adds that Full Sail Live 1 has also upgraded its snake system as part of the Optocore implementation. “Now, we can connect all of the DiGiCo consoles and all of our racks together on a single network, because the Quantum engine upgrade for the SD7 took it from a MADI interface to being able to run on the Optocore network,” he says. “Including the SD9 we also have in place, we can now have a loop of all three consoles, which has tremendous benefits for students and instructors.”

The availability of the DMI-KLANG card will also create new experiential and educational benefits, he adds. “The idea behind that is to add a new level to our IEM labs, to bring immersive IEM mixing capabilities.”

Full Sail’s DiGiCo SD7 console also received a Quantum engine upgrade

Like all schools today under current pandemic restrictions, Full Sail has developed a stringent set of safety protocols, and the DiGiCo consoles help considerably with that. “The large-scale DiGiCo touchscreens are big enough that they can be easily and clearly seen six feet away from the console, and with our strict social distancing protocols in place, this really helps keep students safe during classes,” Shirley explains.

He adds that while the Quantum upgrade is a huge step up for the SD7, it also makes it easier for students to move between it and the new Quantum338, as well as any other DiGiCo operating system. “I like the fact that DiGiCo builds on its existing software instead of trying to reinvent it with every new iteration,” he says. “If you have a basic understanding of how any DiGiCo console works, you’ll be able to move into the new Quantum environment easily, because it will be familiar.”

That’s something that Roun, a longtime tour sound mixer before he became an educator, also appreciates. “It’s very intuitive and easy to use, which is important for a teaching platform,” he says. “And the support we’ve gotten from DiGiCo and its US distributor, Group One, over the years has been superb. You need something, you call, and it’s there. At Full Sail, we have a passion for things done right, and DiGiCo is done right.”

For more information on Full Sail University, visit www.fullsail.edu.

Four L-Acoustics K3 ground-stacked between four K2 enclosures and two KS28 subs at a recent K3 demo session in Marcoussis, France

MARCOUSSIS, France and WESTLAKE VILLAGE, CA – L-Acoustics is planning in-person demo events to promote its K3 system at its headquarters in France and North American office in Westlake Village, CA. The events will be strictly limited in attendance size, and masks and sanitizer gel will be provided.

More details from L-Acoustics (www.l-acoustics.com):

L-Acoustics K3 demonstrations will be held routinely throughout November and December in both Marcoussis and Westlake Village

Earlier this month, L-Acoustics not only revealed the launch of its compact, full-range K3 line source array system, but also immediately began shipping it to customers around the world. Today, in response to current and potential customers wanting to experience the new product in person, L-Acoustics announces a series of K3 demonstrations. These will take place at the manufacturer’s headquarters in Marcoussis, France and the North American office in Westlake Village, California, among other locations. All demonstrations will follow a strict sanitary protocol to ensure the safety of participants, including restrictions to group size as well as supplying masks and hydroalcoholic gel for all in attendance.

Those who are interested in attending an L-Acoustics K3 demo should contact their L-Acoustics sales representative for further details

“K3 completes our K Series family by bridging the space between K2 and Kara II, and the immediate response to the compact, full-range enclosure has been very positive,” explains L-Acoustics Global Director of Business Development Jochen Frohn. “In the first month, we’ve already taken orders from all our domestic markets, as well as international distribution partners. The initial question from many has been, ‘How can I see and hear it for myself?’ So we’re pleased to share a schedule of live demonstrations and we are looking forward to presenting the fidelity, power, and versatility of K3.”

European K3 demos in Marcoussis will take place on November 4, 12, 18 and 25 and December 2 and 9. Similar demos in Westlake Village will be held every other Thursday, including November 5 and 19 and December 3 and 17. Clients interested in attending a demo should contact their L-Acoustics sales representative.

Russian L-Acoustics Certified Provider Distributor Sonoruss Group will also be showcasing K3 at Integrated Systems Russia 2020 on October 28. For details, visit https://sonoruss.ru/about/actions/3982.

“For those that are unable to attend one of these early K3 sessions, rest assured that many of our Certified Providers across the globe will also be scheduling their own local demos soon,” adds Frohn. “We look forward to making everyone smile with the quality and quantity of sound that this little powerhouse truly provides.”

Ideal for mid-size events requiring plenty of output and bandwidth from a small form factor, K3 delivers the full-range L-Acoustics contour from an enclosure that is 33% smaller than K2 and weighing only 43 kg (95 lbs). Equipped with Panflex technology for a choice of four horizontal directivity patterns, K3 boasts a maximum SPL of 143 dB and an exceptional bandwidth of 42 Hz to 20 kHz (-10 dB, 70° directivity) without the need for a flown companion subwoofer. Featuring the L-Acoustics signature DOSC waveguide for long-throw capability (>35 m/100 ft), the enclosure is perfectly suited for covering audiences ranging in size from 1,000 to 10,000 when flown in an array.

For more details on the new L-Acoustics K3, visit: www.l-acoustics.com/en/product/k3

Dynacord announced that presets from leading third-party manufacturers are now available for use with Dynacord electronics via SONICUE sound system software.

More details from Dynacord (www.dynacord.com):

The list of brands/databases may be accessed here.

These new additions expand the lineup of third-party loudspeaker options for integration into the powerful SONICUE ecosystem along with Dynacord’s system-wide range of hardware solutions, which includes TGX, IPX, L and C series power amplifiers, and the new MXE5 matrix mix engine. This gives consultants, contractors and live sound companies the flexibility to use loudspeakers from multiple brands with a single state-of-the-art power and control platform.

The new presets precisely reproduce the original manufacturer settings, with professional, sample-independent listening and testing executed to verify accuracy. “We had the opportunity to compare the new presets for our TGX series amplifiers with the leading manufacturer-recommended amps,” comments Pat Kearney, Senior Production Manager, Powa Productions (Victoria, Australia). “The results were inspiring to see, both in our bench tests and in terms of sonic performance: TGX made good loudspeakers sound even better. Each preset we tested had the same voicing as the manufacturer settings, but the ability of TGX to control LF and extend HF made them sound outstanding. When the application calls for it, we’d be more than happy to use TGX across our full range of loudspeaker systems.”

“We used a TGX20 to drive our L-Acoustics Kara system with the SB18 sub on the bottom end,” adds Colin Smith of CWS Sound & Lighting, Ltd (Peterborough, UK). “The Kara/SB18 settings on this amp sounded fantastic. From the powerful, well-rounded sub, which was set to 100 Hz, through the clear vocal midrange, right through to the crisp-yet-smooth high end, the amp performed to a very high standard.”

Designed and engineered in Germany, Dynacord electronics offer unique features for the highest audio quality, energy efficiency and system protection. These include fully integrated 96 kHz resolution with FIR-Drive processing; power density options of up to 20 kW from a single amplifier; OMNEO IP architecture, incorporating Dante audio, AES70 control and more; Eco Rail technology, which can reduce power consumption by up to 50 percent; Ghost Power, a problem-solving audio technology for power outages; flexibility both for low- and high- impedance applications, with parallel and parallel/bridged power drive modes; and a plug-in for interoperability with the Q-SYS platform.

Factory presets for the complete portfolio of Fulcrum Acoustic loudspeaker models are also available, developed in collaboration between Fulcrum Acoustic and Dynacord.

Download the latest version of SONICUE here

Download the third-party loudspeaker setting databases here